Teaching Experience
at Fairleigh Dickinson University:
LITERATURE, FILM, THEATRE:
Global Mafias in Literature and Film, Fall 2023
Food in Literature and Film, Spring 2023
Contemporary American Drama, Fall 2022
Witches and Warlocks in the West, Spring 2022, Spring 2019, Fall 2016, Spring 2013
World Literature II, Spring 2022
British and European Literature II, Spring 2022
Senior Seminar, Fall 2021, Fall 2022
Modern Drama from Ibsen to Brecht, Fall 2021, Fall 2019, Spring 2017, Fall 2013, Spring 2011, Spring 2008
Writing (WRIT 1002), Fall 2021
Writing and research (WRIT 1003), Spring 2021
Walls or Bridges: Italy, Migrations, and the Pitfalls of Globalization, Summer 2021 (University of Bergamo)
Shakespeare I (comedies), Spring 2021, Fall 2019, Spring 2018, Spring 2016, Spring 2015
Contemporary Italian Cinema, Spring 2020
Contemporary European Drama, Spring 2020 (also Graduate), Fall 2012, Spring 2010
European Literature II, Spring 2020, Fall 2018
Italy: Land of Migrations, Fall 2019, Summer 2018, Summer 2015, Summer 2013, Summer 2009 (all the summer classes were taught at the University of Bergamo)
The Italian-American Experience, Winter 2019, Winter 2018, Summer 2016, Summer 2011
French Film: The Nouvelle Vague, Spring 2019
Italian Mafia in Literature and Film, Fall 2018, Fall 2015, Spring 2012
The Holocaust in Literature and Film, Fall 2017
Greek and Roman Drama, Fall 2017, Fall 2010
Italian Cinema, Fall 2017
Monsters and Bad States, Spring 2017
World Literature III, Spring 2016, Fall 2011
Shakespeare II (tragedies), Fall 2015
Sex and Politics in French Literature, Spring 2015, Spring 2011
Love and Death in French Cinema. The Experimentation of the Nouvelle Vague, Fall 2014, Fall 2012, Spring 2008
Italian Film and Culture from Neorealism to Today, Fall 2011, Fall 2008
Vietnam in Literature and Film, Fall 2011
Introduction to Literary Studies, Spring 2009, Fall 2008
Contemporary Italian Theatre (independent study): Winter Session 2008
XIX-century French novels (independent study): Fall 2008
Contemporary Italian Literature and Film, Fall 2007
M.A. Program in Creative Writing for High School Teachers:
Contemporary European Drama, Spring 2020
Shakespeare, Spring 2015, Fall 2013, Fall 2012
Reading Like a Writer, Fall 2010
COLLEGE WRITING:
Composition I: Rhetoric and Inquiry, Fall 2021, Fall 2022
Composition II: Research and Argument, Spring 2021, Fall 2023
LANGUAGE:
French 1001 and 1002 (elementary): Spring 2018, Spring 2017, Fall 2017, Spring 2016, Fall 2015, Spring 2015, Fall 2014, Spring 2013, Fall 2012, Fall 2011, Fall 2010, Spring 2008, Fall 2007
French 1007 and 1008 (practicum): Fall 2018, Spring 2018, Fall 2014, Spring
2016, Fall 2013, Spring 2013, Fall 2011
Advanced French (independent study): Spring 2013, Spring 2023
Writing in French: Fall 2011
Advanced French Writing (3 independent studies): Fall 2010
Italian 1001 and 1002 (elementary): Spring 2021, Spring 2016, Summer 2015, Fall 2014, Fall 2013, Summer 2013, Summer 2012, Spring 2012, Fall 2010, Spring 2010, Summer 2009, Spring 2009, Fall 2008, Fall 2007, Spring 2008, Spring 2023, Fall 2023
Italian 1007 and 1008 (practicum): Spring 2019, Fall 2018, Spring 2018, Spring 2016, Fall 2018, Fall 2014, Fall 2013, Spring 2013
Italian 2003 and 2004 (intermediate): Spring 2010, Spring 2009
Advanced Italian (independent study): Fall 2012
Advanced Italian Conversation: Spring 2011
Advanced Italian Grammar and Conversation (independent study): Fall 2010
at University of Connecticut:
Witches, Wizards and Warlocks in France, Spring 2007
Masters and Servants in Italian comedy, Spring 2007
Intermediate Italian, Spring 2007
Of Men and Supermen: The Culture of Fascist Italy, Fall 2006
Cinematic Representations of Italian Americans, Fall 2006
Intermediate Italian, Fall 2006
at Boston Conservatory:
Core courses: The Chalice and the Blade: Myths, Heroes, Gods, and Love in Ancient Greece, Fall 2005
Utopia, from Plato to Brecht, Spring 2005 and 2006
Language courses: Italian for opera singers, Spring 2006, Fall 2005, Spring 2005, Fall 2004
at Harvard University:
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as Lecturer
Freshman Seminar (seminar for a highly select group of students):
Provocative Truths: The Role of the Fool in European Drama, Fall 2004, Fall 2003
Tutorials (year-long independent studies), 2000-2005:
Senior (direction of Senior Thesis): 2005/6: The mise-en-scène of the médecin in Dr. Knock
2004/5: Allegories of war in Coetzee and Camus
- Life as a Script: Manipulations of Time and Life Trajectory in Vladimir Nabokov’s Autobiography Speak, Memory
2003/4: The role of the artist in Sartre’s La mort dans l’âme
- Bodies Bound: Breton’s Nadja and Frida Khalo’s paintings
- Pirandellian Influences on the Theater of Ariel Dorfman
2002/3: Samuel Beckett and the Language of Resistance
2001/2: Performing the Commedia: Dario Fo
2000/1: Space in Zola’s Thérèse Raquin and Bazán’s Insolación
- Beckett’s Molloy
Junior: (semester-long intensive study):
2005/6: Francophone writers: Caribbean, Maghreb, and beur literature
2004/5: English and American XX-century drama
- London narratives from the XVIII to the XX centuries
- Theatre “of manners” from the Restoration to the beginning of the XX century
2003/4: Modernism and literature between the wars in France and England
- Postcolonial writers from India, Africa, and the Caribbean
- Contemporary Indian novels
- French Feminist Writers
2002/3: French writers from Zola to Sartre
- Latin American short stories
- XIX century Italian novels, poetry, and Pirandello’s early plays
2000/1: Plautus, Commedia dell’Arte, Molière, Dario Fo
- The plays of Franca Rame (in Italian)
Language Courses Taught, 1995-2007:
Elementary and advanced Italian at University of Connecticut
Elementary Italian for opera singers at the Boston Conservatory
Italian Translation
Advanced Italian conversation
Italian Ax (for reading knowledge, 2 years)
Italian Ca and Cb (intermediate level, 2 years)
Elementary Italian (2 years)
Elementary Spanish
Teaching Fellow Courses (seminar discussion, paper and exam grading in a course taught by a Harvard professor):
The Medieval Stage (Prof. Eckehard Simon, Spring 2004)
Lives Ruined by Literature (Prof. Judith Ryan, Spring 2003)
The Novel After Theory (Prof. Judith Ryan, Fall 2002)
Surrealism (Core Course - Prof. Susan Suleiman, Fall 2001; Fall 2004)
Modern Theatre (Prof. Robert Brustein, Fall 2000)
Postmodern Theatre (Prof. Robert Brustein, Spring 2000)
The Novel (and other narratives) since World War II (Prof. Robert Kiely, Fall 1998)
The Poetry of Seamus Heaney (Prof. Helen Vendler, Fall 1998)
El Poder y lo Sagrado (Core Course in Spanish – Prof. Luis Fernández-Cifuentes, Spring 1997)
Teaching Awards:
Harvard University Certificate of Distinction in Teaching (resulting from student evaluations averaging a grade of 4.5 or higher out of 5): eighteen